Music, Love and Quantum Physics - The Formula Driving Objector Trax
When Giorgi Chitaladze stepped behind the decks for the first time as Objector Trax in 2016, it wasn’t just another DJ debut - it was the start of a meticulous journey through sound. His sets were never about dropping obvious tracks or sticking to easy formulas. Instead, they were built like blueprints: intricate, layered, and architectural in construction. Each transition wasn’t just a blend, it was a thread in a narrative. That kind of precision, combined with his refusal to sit still creatively, made him stand out quickly in Georgia’s fast-rising underground.
“I was about 15 when I first started creating music,” Objector recalls. “Back then, I was using Guitar Pro 5 and making mostly alternative and indie rock. Over the years, I experimented with different sounds, but once I discovered club culture and started raving, my whole perception of music changed.”
That shift was decisive. The guitar chords gave way to rave energy, and DJing became the inevitable next step. One figure in particular pushed him toward it. “The reason and the person who pushed me to become a DJ was Lilith. (Khatia Tkavashvili),” Objector says. “She was a huge inspiration, not only for me but for many Georgian artists. Her sets stood out with uniqueness and courage. For me, courage is one of the most important elements in DJing - it’s what creates individuality and character, bringing the artist closer to the art they create.”
His first big steps came at KHIDI, one of Tbilisi’s most iconic clubs, before both he and Lilith. were invited to join Bassiani’s Horoom room as residents from 2017 to 2019. “I believe 2015–2019 was an incredible period of rise for Georgian club culture,” Objector says. “Its strength never depended on one group, promoter, or DJ, but on every single person involved in it. We were all united by one shared idea and managed to create something unique and precious. I’m happy I had my share in it, both as a raver and as a DJ.”
At Horoom, his vision met resistance - but he turned it into a strength. “Even though I listened to and collected many genres, I identified myself most with techno. Horoom already had its direction, so I thought this might be a problem. But what I considered an obstacle turned out to be an opportunity. Going against my own comfort zone and taking risks brought a new spirit to the room. Together with Lilith., we gave Horoom a different character and perspective, and soon we became some of the most influential artists on the Georgian scene.”
Berlin was more than a scene; it was a confrontation. “Berlin shows you your demons more clearly than any other place,” Objector says. “Unlimited freedom lets you explore your limits, but it also tempts you to lose respect for yourself. Facing this taught me to create my own inner culture - a space where boundaries come from me, not the environment. The more I understood myself, the more I understood others. This inner growth reflected directly in my music. My sets became clearer, more confident, more meaningful.”
Out of that journey came DAMDEV, a record label and event series Objector launched to connect Georgian music with the world. For him, it’s more than a platform: it’s a cultural bridge, a statement of identity. DAMDEV highlights not just Georgian sounds but the ideas and philosophies that underpin them, giving his community a voice in the global conversation.
“My music always mirrors my discoveries and growth,” Objector says. “There’s no formula for how it happens — it’s individual, and everyone must walk their own path. You can’t fake it, and shortcuts always come with a price. The hardest thing is to see your own mistakes and flaws, because you’re too close to yourself. But that’s the only way to grow. I always ask the universe to keep me away from old mistakes and bring me new ones - it means I’m still moving. If you solve yourself, you solve the universe.”
For Objector, growth is not optional; it’s the only way to have something real to give back to the crowd. “Nothing is sadder than seeing empty eyes in adults - especially those who call themselves artists,” he says. His own formula for moving forward is clear: faith, the right mindset, and hard work. “To achieve anything, you need all three,” Objector insists. “Faith is a human skill. Those who can’t believe in something before it’s proven are, in my eyes, lazy minds. Such people will always remain spectators of those who bring something new and meaningful. The right mindset helps you overcome the obstacles along the way. And work - well, that speaks for itself.” But what makes Objector’s vision stand out most is how far it stretches beyond the booth.
Recently, his fascination with quantum physics — particularly the beauty and power of the observer effect — has led him to a deeper exploration of consciousness within the quantum field. “If consciousness operates within the quantum field, then every experience, perception, idea, basically everything exists in a state of superposition—collapsing into a single state only upon our observation. For example, in the text I mentioned earlier, that being a Horoom resident DJ was either an obstacle or an opportunity—and how I chose to see it, how I reflected on it, depended entirely on me. This, I believe, is the hardest and most important thing in life: to give everything the right meaning..
He extends the metaphor into art and identity itself. “I see myself as the first observer - I become the person I believe myself to be.. The second observers are the people around me - those who reflect the best or worst in me and either draw me closer to, or push me further from, the person I want to become “To love someone means to love the version of yourself that another’s observation creates in you.”. Quantum physics is magical, proven, yet still mysterious - and I love weaving these ideas into my art.”
Philosophy, science, and techno are inseparable for Objector. His sets flow across moods, tempos, and textures, ignoring genre borders while keeping a unified spirit. He is a techno artist at his core, but one who understands that techno itself is always evolving, enriched by everything it touches.
“Maybe this sounds like preaching, but I couldn’t stay silent about it, because it’s at the very heart of my creativity,” Objector concludes. “What I want most is to transmit this growth, this reflection, to listeners - first through myself, then through them.” From KHIDI to Bassiani, from Tbilisi basements to Berlin’s vast floors, from indie guitar tabs to intricate sound architectures, Objector has built more than a career. With Objector, he has built a philosophy — one where music, love, and quantum physics converge, and where the dancefloor is not just a place to move but a place to discover who you are.